Inter/\ctive Dancer

w/technology!

Your chance is not the same as mine, is it?

If I make a throw of the dice, it will never be the same as your throw. And so an act like throwing dice is a marvelous expression of your subconscious.

Students will start concentrating on mastering the movement itself, not on imitating the star. The OpenEnded Group - Frequently Pondered Questions

Cunningham says that it must be visual: dancers learn by looking

I wonder whether it shouldn’t also be creative. That is, can’t dance notation be as powerful as music notation, which not only lets a musician play, but also lets a composer compose?

he let his chance operations combine the movements of Jeannie Steele and Jarrod Phillips, obliterating any differences in body size, sex, and self. The OpenEnded Group - Frequently Pondered Questions
Here, the body of Bill T. Jones is multiplied into many dancers, who perform as three-dimensional drawings. The OpenEnded Group - Ghostcatching / 1999
Isn’t it now close to timeless, the very opposite of real performance, whose essence is that it’s “water running through the hands,” as Cunningham says? The OpenEnded Group - Frequently Pondered Questions

The digital double.

As the digital double attempts to represent the realistic appearance of its source, there will be obvious inadequacies which will accentuate the use of technology.

Doesn’t what you leave out of a picture show as much as what you put in? The OpenEnded Group - Frequently Pondered Questions
The digital double falls well short of the real thing, making us most aware of the technology’s inadequacy. The OpenEnded Group - Frequently Pondered Questions